Showing Records: 181 - 200 of 206
The Contemporary Artist's Book: The Book As Art / Fish, Adrienne, curator ; Cage J ; Higgins D ; Spoerri D ; Weiner L ; Finlay IH ; Roth D ; Takahashi S ; Darboven H ; Depew W ; Jess ; Berman W ; Butler F ; Fritzius H., 1993
This is a listing of works with prices. -- Source of annotation: Marvin or Ruth Sackner.
The Economics of Attention / Lanham, Richard ; Cage J ; Heller S ; Higgins D ; Holzer J ; Mallarme S ; Marinetti FT ; McLuhan M ; Miller JA ; Weschler L ; Carra C ; Overly B ; Cangiullo F ; Oldenburg C ; Balla G., 2006
The Great American Poetry Bake-Off: Fourth Series / Peters, Robert, editor ; Higgins D ; Vangelisti P., 1991
Consists mainly of reviews of books by American poets. Includes review of Dick Higgins' Pattern Poetry -- Source of annotation: Marvin or Ruth Sackner.
The Illusion of Reality - An Interview with Dick Higgins by Harry Polkinhorn / Polkinhorn, Harry ; Higgins, Dick., 1987
The Paper Snake / Johnson, Ray ; Higgins D ; Fine AM ; Knowles A ; Herms G ; DiPrima D ; Stein G., 1965
In the text printed on the dust jacket by William Wilson, Ray Johnson is described as living "a life that is a continuous revelation of pure and radiant design, the image of that life is art. Since the life itself is designed of coincidences, like a walk taking a line, the aesthetic reciprocal of that life is a Ray Johnson collage. Ray Johnson is not neo-dada or abstract or extract: he is an artist representing the reality of his life; it happens that his life is a collage." -- Source of annotation: Marvin or Ruth Sackner.
The Word and Beyond, 1982
Richard Morris reported a survey of 65 poet-editors of different schools of poetry and who were asked "the best poets currently writing in the English language." The results included among others Antin, Ashbery, Beckett, Berrigan, Blaser, Bukowski, Bunting, Cage, Codrescu, Coolidge, Corman, Corso, Davey, Dorn, Elmslie, Ferlinghetti, Ginsberg, Giorno, Hirschman, Hollo, Houedard, Ronald Johnson, David Jones, Kryss, Lifshin, McClure, Mac Low, Meltzer, Merrill, Merwin, Meyer, Perchik, Plymell, Raworth, Rothenberg, Simic, Snodgrass, Charles Stein, Swenson, Tarn, Keith Waldrop, Emmet Williams, Jonathan Williams, Zulovsky. -- Source of annotation: Marvin or Ruth Sackner.
Towards the 1970's / Higgins, Dick., 1970
This pamphlet explores the state of the arts and the "intermedia" at the end of the 1960's and beginning of the 1970's. Higgins presents a very pessimistic view on the future monetary value of paintings by mainstreet artists which time has proven him wrong. -- Source of annotation: Marvin or Ruth Sackner.
Translating Translating Apollinaire: A Preliminary Report / Nichol, bp ; Broudy H ; Higgins D ; McCaffery S ; Truhlar R ; Young K ; Barbour D ; McCarthy C ; Pepper J., 1979
Trios / Lurie, Toby ; Higgins D ; Fox H., 2008
These poems reflect Lurie's relationship with language and music. Lurie writes that he is a poet/musician who crosses "that fine border of separation between language and music, molding those two disciplines into a single unified form." In this book language is shaped with the forms of music: fugues, rondos, canons, counterpoint and crab-fugues. -- Source of annotation: Marvin or Ruth Sackner.
Ukraine Still Lives On / Soroka, Mykola ; Higgins D ; McCarthy C ; Cobbing B., 1994
Umbrella. No.2/Dec / Judith Hoffberg, editor ; Lissitzky E ; Stepanova V ; Tufte E ; Higgins D ; Johnson R ; Held Jjr ; Laxson R ; Tilson Ja ; d'Arbeloff N ; Porter B ; Goldstein G ; Cole D., 1991
Under the Influence of Fluxus / Wayne Baerwaldt, curator ; Francis Van Maele, curator ; Martin H ; Higgins D ; Hendricks G ; Williams E ; Brecht G ; Knowles A ; Knizak M ; Chiari G ; Dupuy J ; Friedman K ; MacLow J ; Morris M ; Patterson B ; Ben ; Watts B ; Serge III ; Spoerri D ; Conz F ; Andersen E ; Corner P ; Jones J ; Paik NJ., 1991
This exhibition of silkscreen, cloth multiples published by Francisco Conz was curated by Wayne Baerwaldt. It demonstrated several Fluxus conceptions: sharing ideas between artists, a publisher and the public; capturing the ephemeral in Fluxus productions; exposing the ideas of original works which would otherwise remain hidden in private collections. The silkscreen print editions on cloth offer the viewer the opportunity to investigate the contentious nature of Fluxus oriented art. "The editions of large-scale drawings, texts, musical scores, collages, and appropriated images are retouched, or redrawn directly on the silk-screens by the artists, reinforcing what we already know about intermedia, the myriad combinations of literary prose and/or concrete poetry; music and/or sound; theatre and/or performance." The Sackner Archive holds several cloth works by fluxus artists, Lettrists, and concrete poets published by Conz. -- Source of annotation: Marvin or Ruth Sackner.
Une Generation 1960-1985 / Donguy, Jacques ; DeCampos H ; Higgins D ; Kolar J ; Sarenco ; Miccini E ; Balestrini N ; Blaine J ; Heidsieck B ; Bory JF ; Giorno J ; Wendt L., 1985
Consists of critical essays with photographic reproductions of several poems. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Left Hand Books ; Doria C ; Higgins D ; Knowles A., 1992
Video / Martel, Richard, editor ; Spatola A ; Higgins D ; Blaine J ; McCaffery S ; Dutton P ; Sarenco ; Arias-Misson A ; Corner P ; Minarelli E ; Olbrich JO ; Hainke W ; Aguiar F ; Ferrando B ; Szombathy B ; Nieslony B ; Partum A ; Fontana G ; Petocz A ; Nagy P., 1992
Visible Language: The Luminous Object: Video Art/Video Theory. No.2/Jul / Hans Breder, Herman Rapaport, editors ; Zurbrugg N ; Paik NJ ; Kuspit D ; Kostelanetz R ; Maciunas G ; Beuys J ; Higgins D ; Brecht G ; Ben ; Cage J ; Wilson R ; Vostell W ; Viola B ; Sherk B ; McLuhan M., 1995
Nam June Paik in his interview with Nicholas Zurbrugg points out differences between the academic and creative people in video art. The layout in this issue is highly experimental with a concrete poetic sensibility. -- Source of annotation: Marvin or Ruth Sackner.